Intro

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The fascinating encounter between Christianity, Judaism and Islam in Golden Age Iberia. 

 

Ensemble PHOENIX is a living example of Convivencia, joining performers of the three faiths.

 

In the program, songs from the Portuguese Crypto-Jews and from the Sephardic tradition; Arabic music from Al Andaluz; Spanish music by Diego Ortiz, Francisco de la Torre, Luiz Narváez, Juan del Encina and Diego Pisador and from the Upsala, Palacio and Colombina song-books.

 

Artists

Ensemble PHOENIX Convivencia 1-photAndresLacko

 

Myrna Herzog - director, Vielle, renaissance viol, krumhorns

Macarena Lopez - soprano

Benny Hendel - narrator and baritone

Adi Silberberg - recorders, krumhorns, rauschpfeife

Riki Peled-Or - psaltery, renaissance viol

Omer Schonberger - oud, vihuela, baroque guitar

Kais Tekli - percussion

Program

CONVIVENCIAAlhambra
The fascinating encounter of the three religions in Medieval Iberia


Stars, Sea, Tales 
From the Sephardic tradition: 
Las estreyas 
En la mar ay una torre 
La reina xerifa mora 
El rey que tanto madruga 
Anon. , Al Andaluz - Lamma bada yatathanna 

War 
Francisco de la Torre (1483-1504): La Spagna 
Diego Pisador (1509-1557) – La mañana de San Juan 
Luys de Narváez (1500-1555): Paseavase el rey moro 
Juan del Encina (1468-1529): Levanta, Pascual 


Love
 
Anon. Sephardic - Durme, hermoso hijico 
Diego Ortiz (c.1510-1570): Recercada 
Gabriel Mena (fl.c.1500): Aquella mora garrida 
Anon.: Cancionero de la Colombina - Niña y viña 


Celebrations

Anon. (reconstruction: Raymond Meylan): La Portingaloise
Songs from the Portuguese Crypto-Jews 
Pessach songs: Ao quatorze da lua - Adonaio/Canção da Santa Festa 
Purim song: Judá é um bom trovador
From the Sephardic Tradition ספרד מן המסורת של יהודי
Buena Semana

Reviews

phoenix ConvivenciaThe program amazed with its enormous diversity. Besides a little known Iberian repertoire, it included also pieces from the Sephardi tradition and, most surprisingly, songs of the Portuguese Crypto-Jews (i.e. Maranos) recorded at their community in Belmonte, Portugal, and transcribed by Herzog... Far from being monotonous, this music is versatile both in style and emotional expression. Much of it is highly romantic, intensely emotional, sometimes sorrowful, sometimes lyric, and sometimes even humorous.The ensemble's teamwork was perfect, and their command of the various tricky instruments was thoroughly professional.
Ury Eppstein, The Jerusalem Post, Israel

Once again, Myrna Herzog, the group’s musical director, has presented us in Jerusalem with a musical journey into the past and into our own senses… Music with an oriental flavor so perfumed and inebriating as one takes in the minarets and arched windows seen through the glass front of the hall. Time stands still... This was an evening of magical, delicate sounds, of humor and joy. Among the artists were musicians of three religions, hence “Convivencia” (living together.) The Mormon University auditorium, packed to capacity....
Pamela Hickman, Go Jerusalem, Israel